These items are from the estates of Neil Soward’s parents and sister. His parents were missionaries to Burma 1921 to 1966 (with breaks). His sister was born there and visited a number of times so their Burma items were collected 1921 to 2010.
Back in the nineteen nineties very few tourists visited Burma–at one time less than 30,000 per year! So very few paintings were done and sold.
As he remembered it, we scoured Rangoon looking for an art gallery and only found one because there were so few tourists. Most Burmese at that time were struggling to get enough to eat and could not afford paintings. Most had to be satisfied with posters.
Check out what it costs now to frame, mat and glass a painting and you will see these are a good buy. Some day the Burmese will be able to afford to buy their paintings of the past and they will increase in value because there are so few of them.
Perhaps someday Art Museums which claim they have art from all over the world, will add Burma to their display. They will find few paintings from before 2000 and will probably give a very good tax write off for Burmese art. Art produced before 2000 was basically all scenic art because that is what tourist bought. Portraits were harder to paint so there were very few portraits from before 2000. Sandra Win was one of the main portrait painters. She has been called the Norman Rockwell of Burma because of her photographic portraits.
If you’re interested in an item, please email president@friendsofburma.org and include the item number, description, or link. Please note that shipping and handling costs are not included in the listed price.
142. Country Side, Man Carrying Young Paddy Plants, A. T. Nyunt, Water Color, Burmese Mat, American Faux Oak Frame, Regular Glass, 12 ½ by15 ½ inches, 7 ½ by 10 ¾ inches,
139. Country Side with Pond, Win Thein, 94, Water Color, American Oak Frame, Non Glare Glass, American Faux Oak Frame, 6 ½ by 8 ¼ inches, 4 3/8 by 6 3/8 inches
153. Burma, Myanmar, original watercolor in American fruit wood frame, 7 1/2 by 9 1/2 inches, Painting is 3 by 4 1/2 inches. American mat. Regular glass. Artist MSOE. Picture is of an Inle Lake Fisherman with cone shaped net. These fishermen row standing up with one leg wrapped around the oar.
94. Burma, Myanmar, watercolor of typical village house with boat and figure. Burmese type mat. American frame. Regular glass. Overall 8 1/8 by 10 1/8 inches. Painting 5 by 8 inches. American frame–metal colored to look like wood. Signed by artist and dated
74. West Virginia Countryside. By Mehn Than Oo. Water color. 1 mat. 11 ¾ by 14 ¾ inches. Painting 7 ½ by 9 ½ inches. The artist visited my sister and painted two views from her land
71. Sagaing Pagoda by A. T. Nynt. Water Color. 1 mat. 8 ¼ by 10 inches. Painting is 4 ½ by 6 ½ inches. I was told the queen wanted to build a pagoda. When asked what shape she wanted it to be, she bared her breast and said, “This shape.”
68. Two Pagodas by River. Win Thein. Water Color. No Mat. 6 by 8 inches. There are many pagodas in Burma. They are everywhere so they show up in paintings of Burma.
62. Watercolor painting by Burmese artist Win Thein, 1994 with pagodas beyond lilly pond. I think Win Thein is a more recognized artist. Overall dimensions 11 5/8 by 9 5/8 inches. One mat with glass. Painting is 6 1/2 by 4 1/2 inches (165 x 113 mm.)
61. Watercolor painting by Burmese artist A. T. Nyunt, 1990s with monk in front of Mindon bell. This is the largest intact bell in the world. The Russians have a larger one but it is broken. Over all dimensions 10 3/4 by 8 3/4 inches. One mat with glass. Painting is 6 1/2 by 4 1/2 inches (165 x 113 mm.) They ring their bells by hitting them with a wooden beam.
60. Watercolor painting by Burmese artist A. T. Nyunt, 1990s with monk in front of chinthe. Huge chinthe statues guard the gate to Buddhist temples. The chinthe is a mythological beast sort of a combination of a lion and dragon. Overall dimensions 10 3/4 by 8 3/4 inches. One mat with glass. Painting is 6 1/2 by 4 1/2 inches (165 x 113 mm.) Monks often carry umbrellas to protect their shaven heads from the sun.
59. Watercolor painting by Burmese artist A. T. Nyunt, 1990s with man harvesting palm sap (Toddy). Over all dimensions 11 3/8 by 9 1/2 inches. One mat with glass. Painting is 6 1/2 by 4 1/2 inches (165 x 113 mm.) The Burmese harvest the sap from the toddy palm, boil it down, and make palm sugar. They use a very flimsy ladder which they tie to the tree and climb up it. If you look carefully, you can see the pots in the top of the tree which are collecting the sap. The man in the foreground is carrying two pots of sap. Once when we were driving from Mount Popa to Meitila we saw this process. We stopped and since it was the first pot to be collected, they really wanted us to taste it because they believed the more who tasted the first pot, the greater would be the harvest. So we obliged and I hope it bought him good luck.
57. Watercolor painting by Burmese artist A. T. Nyunt 1990s with tree and Mandalay fort tower. Overall dimensions 10 3/4 by 8 3/4 inches. Picture is 6 1/4 by 4 1/4 inches. (157 x 107 mm). Two mats, frame scuffed
56. Watercolor painting by Burmese artist Win Thein 1992 with river bank and pagodas. Overall dimensions 13 1/2 by 11 1/2 inches. Picture is 6 1/2 by 4 1/2 inches. (164 x 113 mm)
55. Watercolor painting by Burmese artist Win Thein 1994? with boatman and pagoda. Overall dimensions 10 3/4 by 8 3/4 inches. One mat with glass. Painting is 6 1/2 by 4 1/2 inches (163 x 114 mm.)
53. Watercolor painting by Burmese artist Win Thein 1994 with fishermen tending fish trap. Overall dimensions 10 7/8 by 9 inches. Two mats with glass. Painting is 6 3/4 by 4 3/4 inches (171 x 121 mm.)
Watercolor painting by Burmese artist Win Thein 1994 with Pagoda, trees and lilly pond. Over all dimensions 11 5/8 by 9 3/4 inches. Two mats with glass. Painting is 6 1/2 by 4 1/2 inches (163 x 115 mm.)
Watercolor by Burmese artist Win Thein. Worker with whipsaw. Exceptionally fine water color. American oak frame. Burmese mat. Overall dimensions 12 1/2 by 15 3/4 inches. Water color 8 1/4 by 13 inches. Regular glass. Watercolor with Burmese mat (not beveled).
Watercolor by Burmese artist. Pre1932. Elephants working timber. Back then elephants were used extensively in Burma to work timber. Workers house in tree to avoid snakes. Each elephant had the same mahout (driver) for many years. Old American frame. Overall dimensions 7 by 14 inches. Water color 9 3/4 by 13 1/4 inches. Regular glass. Water color mounted on paper. They did not do matting back then. Typed caption.
Fine water color. Burma teak frame. Burmese mat. Overall dimensions 15 1/4 by 22 inches. Water color 9 1/2 by 13 inches. Regular glass. Water color with mat. My parents brought this painting back in 1932 so it was painted before that time. During World War II much of most cities were destroyed so pre WWII paintings are not common. Back then the typical boat was padded with an oar making figure 8 pattern. Now most have motors.
142. Country Side, Man Carrying Young Paddy Plants, A. T. Nyunt, Water Color, Burmese Mat, American Faux Oak Frame, Regular Glass, 12 ½ by15 ½ inches, 7 ½ by 10 ¾ inches,
139. Country Side with Pond, Win Thein, 94, Water Color, American Oak Frame, Non Glare Glass, American Faux Oak Frame, 6 ½ by 8 ¼ inches, 4 3/8 by 6 3/8 inches
153. Burma, Myanmar, original watercolor in American fruit wood frame, 7 1/2 by 9 1/2 inches, Painting is 3 by 4 1/2 inches. American mat. Regular glass. Artist MSOE. Picture is of an Inle Lake Fisherman with cone shaped net. These fishermen row standing up with one leg wrapped around the oar.
94. Burma, Myanmar, watercolor of typical village house with boat and figure. Burmese type mat. American frame. Regular glass. Overall 8 1/8 by 10 1/8 inches. Painting 5 by 8 inches. American frame–metal colored to look like wood. Signed by artist and dated
74. West Virginia Countryside. By Mehn Than Oo. Water color. 1 mat. 11 ¾ by 14 ¾ inches. Painting 7 ½ by 9 ½ inches. The artist visited my sister and painted two views from her land
71. Sagaing Pagoda by A. T. Nynt. Water Color. 1 mat. 8 ¼ by 10 inches. Painting is 4 ½ by 6 ½ inches. I was told the queen wanted to build a pagoda. When asked what shape she wanted it to be, she bared her breast and said, “This shape.”
68. Two Pagodas by River. Win Thein. Water Color. No Mat. 6 by 8 inches. There are many pagodas in Burma. They are everywhere so they show up in paintings of Burma.
62. Watercolor painting by Burmese artist Win Thein, 1994 with pagodas beyond lilly pond. I think Win Thein is a more recognized artist. Overall dimensions 11 5/8 by 9 5/8 inches. One mat with glass. Painting is 6 1/2 by 4 1/2 inches (165 x 113 mm.)
61. Watercolor painting by Burmese artist A. T. Nyunt, 1990s with monk in front of Mindon bell. This is the largest intact bell in the world. The Russians have a larger one but it is broken. Over all dimensions 10 3/4 by 8 3/4 inches. One mat with glass. Painting is 6 1/2 by 4 1/2 inches (165 x 113 mm.) They ring their bells by hitting them with a wooden beam.
60. Watercolor painting by Burmese artist A. T. Nyunt, 1990s with monk in front of chinthe. Huge chinthe statues guard the gate to Buddhist temples. The chinthe is a mythological beast sort of a combination of a lion and dragon. Overall dimensions 10 3/4 by 8 3/4 inches. One mat with glass. Painting is 6 1/2 by 4 1/2 inches (165 x 113 mm.) Monks often carry umbrellas to protect their shaven heads from the sun.
59. Watercolor painting by Burmese artist A. T. Nyunt, 1990s with man harvesting palm sap (Toddy). Over all dimensions 11 3/8 by 9 1/2 inches. One mat with glass. Painting is 6 1/2 by 4 1/2 inches (165 x 113 mm.) The Burmese harvest the sap from the toddy palm, boil it down, and make palm sugar. They use a very flimsy ladder which they tie to the tree and climb up it. If you look carefully, you can see the pots in the top of the tree which are collecting the sap. The man in the foreground is carrying two pots of sap. Once when we were driving from Mount Popa to Meitila we saw this process. We stopped and since it was the first pot to be collected, they really wanted us to taste it because they believed the more who tasted the first pot, the greater would be the harvest. So we obliged and I hope it bought him good luck.
57. Watercolor painting by Burmese artist A. T. Nyunt 1990s with tree and Mandalay fort tower. Overall dimensions 10 3/4 by 8 3/4 inches. Picture is 6 1/4 by 4 1/4 inches. (157 x 107 mm). Two mats, frame scuffed
56. Watercolor painting by Burmese artist Win Thein 1992 with river bank and pagodas. Overall dimensions 13 1/2 by 11 1/2 inches. Picture is 6 1/2 by 4 1/2 inches. (164 x 113 mm)
55. Watercolor painting by Burmese artist Win Thein 1994? with boatman and pagoda. Overall dimensions 10 3/4 by 8 3/4 inches. One mat with glass. Painting is 6 1/2 by 4 1/2 inches (163 x 114 mm.)
53. Watercolor painting by Burmese artist Win Thein 1994 with fishermen tending fish trap. Overall dimensions 10 7/8 by 9 inches. Two mats with glass. Painting is 6 3/4 by 4 3/4 inches (171 x 121 mm.)
Watercolor painting by Burmese artist Win Thein 1994 with Pagoda, trees and lilly pond. Over all dimensions 11 5/8 by 9 3/4 inches. Two mats with glass. Painting is 6 1/2 by 4 1/2 inches (163 x 115 mm.)
Item number: 52
Watercolor by Burmese artist Win Thein. Worker with whipsaw. Exceptionally fine water color. American oak frame. Burmese mat. Overall dimensions 12 1/2 by 15 3/4 inches. Water color 8 1/4 by 13 inches. Regular glass. Watercolor with Burmese mat (not beveled).
Item number: 51
Watercolor by Burmese artist. Pre1932. Elephants working timber. Back then elephants were used extensively in Burma to work timber. Workers house in tree to avoid snakes. Each elephant had the same mahout (driver) for many years. Old American frame. Overall dimensions 7 by 14 inches. Water color 9 3/4 by 13 1/4 inches. Regular glass. Water color mounted on paper. They did not do matting back then. Typed caption.
Item number: 50
Fine water color. Burma teak frame. Burmese mat. Overall dimensions 15 1/4 by 22 inches. Water color 9 1/2 by 13 inches. Regular glass. Water color with mat. My parents brought this painting back in 1932 so it was painted before that time. During World War II much of most cities were destroyed so pre WWII paintings are not common. Back then the typical boat was padded with an oar making figure 8 pattern. Now most have motors.
Item number: 49